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A finely observed late Victorian watercolour depicting a bustling Edinburgh Old Town thoroughfare, likely inspired by the Royal Mile district. Executed with delicate washes and confident architectural draftsmanship, the scene captures the romantic Gothic character of Edinburgh that fascinated Victorian artists and travellers alike.
The composition features soaring church spires, medieval stone buildings and a distinctive turreted clock structure receding into an atmospheric haze. Animated street figures and market activity enliven the foreground, while the muted tonal palette lends the work a distinctly northern ambience.
Stylistically the work recalls the architectural watercolours of Thomas Miles Richardson Jr. and the picturesque urban scenes of Louise Rayner, reflecting the Victorian fascination with historic British cities and medieval revival aesthetics.
Presented in an ornate gilt frame likely contemporary or near-contemporary to the work.
Origin: Málaga
Date: Circa 1870–1900
Medium: Polychrome terracotta
Description
A striking and highly decorative Spanish terracotta figure depicting an Andalusian gentleman in traditional dress, confidently posed with one hand gesturing and the other resting at his hip. The figure is richly detailed, with a draped jacket, patterned waistcoat, and sash, culminating in exceptionally well-painted boots featuring intricate geometric and foliate motifs—arguably the standout feature of the piece.
Executed in the vibrant costumbrista tradition, the sculpture captures the theatricality and elegance of regional Spanish life during the late 19th century. The modelling is expressive and assured, particularly in the face and stance, suggesting a skilled workshop hand.
Importantly, the figure retains its original printed paper label for José Cubero, Escultor, Málaga—a rare survival that firmly anchors the piece within a recognised Málaga workshop and significantly enhances both authenticity and desirability. Labelled examples from this period are increasingly difficult to source, particularly in complete condition.
Mounted on its original base, the figure presents as an excellent cabinet or interior piece, with strong visual presence and immediate decorative appeal.
“The Three Graces”
Signed: A. Santini
Origin: Italy
Medium: Bonded marble / resin composite
Base: Polished stone base with engraved signature
Catalogue Essay
This elegant figural group, attributed to the Italian sculptor A. Santini, presents a refined interpretation of the classical motif known as The Three Graces. The three maidens stand in close harmony, their forms intertwined in a balanced and lyrical composition. The central figure raises a wreath aloft, flanked by two companions whose gestures convey unity, grace, and classical serenity.
Santini’s workshop became internationally recognised during the mid‑20th century for its revivalist approach to Greco‑Roman subjects. Works such as this example demonstrate the atelier’s ability to capture the softness of drapery, the idealised proportions of the female form, and the decorative appeal that made Santini sculptures highly sought after in Europe, North America, and Australia.
Executed in a pale bonded marble composite, the sculpture achieves the visual presence of carved stone while allowing for crisp detailing and smooth surfaces. The piece is mounted on a dark, veined stone base, engraved with the artist’s signature A. Santini and marked Italy, confirming its origin and authenticity.
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