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A finely observed late Victorian watercolour depicting a bustling Edinburgh Old Town thoroughfare, likely inspired by the Royal Mile district. Executed with delicate washes and confident architectural draftsmanship, the scene captures the romantic Gothic character of Edinburgh that fascinated Victorian artists and travellers alike.
The composition features soaring church spires, medieval stone buildings and a distinctive turreted clock structure receding into an atmospheric haze. Animated street figures and market activity enliven the foreground, while the muted tonal palette lends the work a distinctly northern ambience.
Stylistically the work recalls the architectural watercolours of Thomas Miles Richardson Jr. and the picturesque urban scenes of Louise Rayner, reflecting the Victorian fascination with historic British cities and medieval revival aesthetics.
Presented in an ornate gilt frame likely contemporary or near-contemporary to the work.
Origin: Málaga
Date: Circa 1870–1900
Medium: Polychrome terracotta
Description
A striking and highly decorative Spanish terracotta figure depicting an Andalusian gentleman in traditional dress, confidently posed with one hand gesturing and the other resting at his hip. The figure is richly detailed, with a draped jacket, patterned waistcoat, and sash, culminating in exceptionally well-painted boots featuring intricate geometric and foliate motifs—arguably the standout feature of the piece.
Executed in the vibrant costumbrista tradition, the sculpture captures the theatricality and elegance of regional Spanish life during the late 19th century. The modelling is expressive and assured, particularly in the face and stance, suggesting a skilled workshop hand.
Importantly, the figure retains its original printed paper label for José Cubero, Escultor, Málaga—a rare survival that firmly anchors the piece within a recognised Málaga workshop and significantly enhances both authenticity and desirability. Labelled examples from this period are increasingly difficult to source, particularly in complete condition.
Mounted on its original base, the figure presents as an excellent cabinet or interior piece, with strong visual presence and immediate decorative appeal.
After J.M.W. Turner R.A. (1775–1851)
Engraved by William Miller (1796–1882)
A finely engraved landscape after Turner, depicting the town of Ehingen set amidst a dramatic mountainous landscape, with a small boat navigating turbulent waters in the foreground. The composition exemplifies Turner’s mature Romantic vision, combining topographical subject matter with heightened atmospheric drama.
Engraved by the highly regarded Scottish printmaker William Miller, one of Turner’s most accomplished interpreters, noted for his ability to translate painterly effects into nuanced tonal engraving.
Published in 1836 by Robert Cadell together with Hodgson & Graves, London, with full publication line present below the plate.
Medium: Engraving on paper
Date: 1836
Condition: Good; light age toning and minor spotting to margins.
Notes:
A desirable example of a Turner subject engraving with clear attribution and publication details. Miller’s plates are particularly sought after for their richness and fidelity to Turner’s atmospheric style.
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