Reclining Female Nude (Studio Study)

$375.00

Title: Reclining Female Nude (Studio Study)

Artist: Unknown (in the style of Harry Morley, 1881–1943)

Date: Early–Mid 20th Century (c. 1920–1940)

Medium: Charcoal on toned paper

Dimensions: (insert your sight size / framed size)

Signature: Lower right (indistinct)

Framing: Presented in a later mount with teal mat and gilt wooden frame

Description

A confident and sensitively rendered charcoal study of a reclining female nude, executed on warm-toned drawing paper. The work displays strong academic draughtsmanship, with bold contour lines combined with soft interior modelling, characteristic of early 20th-century British studio practice.

The treatment of the figure—particularly the anatomical solidity of the back, hip, and thigh—closely resembles the life-drawing style of Harry Morley, known for his structurally expressive charcoal studies and classical influences. The cross-hatching, tonal handling, and careful balance of mass and line all suggest a work produced in the milieu of British academic training between the wars.

Title: Reclining Female Nude (Studio Study)

Artist: Unknown (in the style of Harry Morley, 1881–1943)

Date: Early–Mid 20th Century (c. 1920–1940)

Medium: Charcoal on toned paper

Dimensions: (insert your sight size / framed size)

Signature: Lower right (indistinct)

Framing: Presented in a later mount with teal mat and gilt wooden frame

Description

A confident and sensitively rendered charcoal study of a reclining female nude, executed on warm-toned drawing paper. The work displays strong academic draughtsmanship, with bold contour lines combined with soft interior modelling, characteristic of early 20th-century British studio practice.

The treatment of the figure—particularly the anatomical solidity of the back, hip, and thigh—closely resembles the life-drawing style of Harry Morley, known for his structurally expressive charcoal studies and classical influences. The cross-hatching, tonal handling, and careful balance of mass and line all suggest a work produced in the milieu of British academic training between the wars.