Signed Australian studio pottery, 1992, with raku-inspired surface.
Hand-thrown studio pottery vase with a baluster form, rising from a rounded body to a waisted neck and gently flared rim. The surface is finished in a warm ochre and umber palette with subtle variegation, the lower body displaying an intentional crackle and textured effect suggestive of raku or smoke-fired influence. Fine throwing rings remain visible, enhancing the tactile, handmade quality of the piece.
The interior is glazed in a dark, glossy finish, contrasting with the matte exterior surface. The base is impressed © 1992 L. Moore, confirming authorship and date.
A strong example of late 20th-century studio ceramics, combining organic surface treatment with a confident, well-balanced form.
Artist: L. Moore
Date: 1992
Medium: Studio pottery, hand-thrown ceramic
Finish: Textured ochre and brown glaze with crackle effect; dark glazed interior
Mark: Impressed to base, “© 1992 L. Moore”
Condition: Good overall condition; surface texture and crackling appear intentional and consistent with the firing technique
Signed Australian studio pottery, 1992, with raku-inspired surface.
Hand-thrown studio pottery vase with a baluster form, rising from a rounded body to a waisted neck and gently flared rim. The surface is finished in a warm ochre and umber palette with subtle variegation, the lower body displaying an intentional crackle and textured effect suggestive of raku or smoke-fired influence. Fine throwing rings remain visible, enhancing the tactile, handmade quality of the piece.
The interior is glazed in a dark, glossy finish, contrasting with the matte exterior surface. The base is impressed © 1992 L. Moore, confirming authorship and date.
A strong example of late 20th-century studio ceramics, combining organic surface treatment with a confident, well-balanced form.
Artist: L. Moore
Date: 1992
Medium: Studio pottery, hand-thrown ceramic
Finish: Textured ochre and brown glaze with crackle effect; dark glazed interior
Mark: Impressed to base, “© 1992 L. Moore”
Condition: Good overall condition; surface texture and crackling appear intentional and consistent with the firing technique
